Downloads

Changelog:

• Stereo and panning. Output channels pair up into stereo, with a pan position per sound and an editor for setting it.
• Step editing. A step can be opened after it has been recorded and its parameters changed. Until now a step could only be erased and entered again.
• Automation. Moves on the filter, filter 2, gain and LFO pages can be recorded live from the sliders, along with drive, pan spread and pitch error, and everything else entered a step at a time.
• An LFO for each sound, on pitch, filter cutoff and gain.
• Polyphonic and gated playback, from the pads and over MIDI, with chords in the step sequencer.
• Sounds save to the card as WAV, and the card can be managed from the machine.

Sequencing

• Step Edit. Hold Tap/Repeat and press a pad to open a step and change what it does: pitch, velocity, duration, panning, delay, cutoff, both filters, the gain envelope and the LFO, across fourteen pages.
• A step can hold several notes as a chord, each with parameters of its own.
• Polyphony in the step sequencer, with note length, delay and pitch set per step, high-quality pitch included.
• Up to six segments play together, each with its own length, for polymeter.
• Slides between notes, with a default slide speed per sound.
• Gated playback.
• Progress and playback indicators for segments and songs.

• Automation in a pattern. Every slider on the filter, filter 2, gain and LFO pages can be recorded while the sequencer runs, by holding Tap/Repeat; pitch, panning, drive and the rest are entered a step at a time. A recorded move holds for the notes that follow, and moving the same slider by hand takes the parameter over for that sound until you hand it back.
• An LFO for each sound on pitch, filter cutoff and gain, with rate, delay, depth, start phase and sync, and a master depth over the lot.
• Crossfade looping.
• Pitch range extended to ±36 semitones.

• Output channels pair into stereo on 1–2, 3–4, 5–6 and 7–8, with a pan position for each sound and an editor for setting it.

• Transient detection in Loop / Truncate: 7 and 8 step through the transients in a sample and move the loop points onto each one, for working through a break.
• Sounds save to the card as a WAV with a small settings file beside it, so a sound reloads exactly as it was and still opens in any audio editor.

• MIDI CC. CC 1, the mod wheel, sets the LFO master depth, so it reaches pitch, filter cutoff or gain depending on how the LFO is set.
• Pitch bend, up to seven semitones either way.
• Incoming CC moves and pitch bend are recorded into a segment along with everything else.
• Song Position Pointer and Song Select are followed.
• All Notes Off.

Files and the card

• Setup menu navigation: the menu can be browsed with the arrow keys, the Special functions included, rather than only reached by typing a number.